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The friar’s machinations seem also to be tools of fate.
Yet despite the role Friar Lawrence plays in bringing about the lovers’ deaths, Shakespeare never presents him in a negative, or even ambiguous, light. The tragic failure of his plans is treated as a disastrous accident for which Friar Lawrence bears no responsibility.
The friar remarks to himself that he wishes he were unaware of the reason that Paris’s marriage to Juliet should be delayed.
Juliet enters, and Paris speaks to her lovingly, if somewhat arrogantly.
Later textual evidence does indicate that Paris harbors a legitimate love for Juliet, and though he arrogantly assumes Juliet will want to marry him, Paris never treats her unkindly.
Nevertheless, because she does not love him, he represents a real and frightening potentiality for Juliet.
After Paris leaves, Juliet asks Friar Lawrence for help, brandishing a knife and saying that she will kill herself rather than marry Paris.In contrast, it is a challenge to situate Paris along the play’s moral continuum.He is not exactly an adversary to Romeo and Juliet, since he never acts consciously to harm them or go against their wishes.He took all of that away, and I’m really thankful for that. Did you get dizzy, going around and around on that horse, out in the woods? I didn’t go to any of those classes in drama school ‘cause I was like, “I’m not going to dance. But like with the horse riding, I wanted to focus on acting with Lily, on the day, and not be thinking about what I was doing with my feet.MADDEN: I didn’t get dizzy, but I love working with horses. I don’t need to learn to dance.” I regret that now. So, I just trained really hard to make that happen.